• If I no longer had to work for a living, I would go back to the theater.
    • Good friendships are based on good intentions.
    • Never at any time in my life have I given up learning.
    • "Difficulties are what make success more valuable." Moliere
    • At university I was known throughout the department as “the actor,” and they still call me that.
    • "Art begins where imitation ends." Oscar Wilde
    • "GTrust, like the soul, never returns once it is gone." William Shakespeare
    • When I was in the theater my friends were Brecht, Shakespeare, and Beckett, and my books were my guide to life.
    • At Middle East Technical University I was introduced to theater as well as architecture.
    • I was born in 1973 in Izmir, a city where people knew how to live together.
    • I am one of the lucky ones because I love my work.
    • "Those who dance are thought mad by those who do not hear the music." Friedrich Nietzsche
    • When you leave the house, do you tie your shoes and press for the elevator, or press for the elevator and tie your shoes?
    • I was introduced to the concept of “organization” as a profession at the Construction-Industry Center.
    • We think for you, design for you, and blend art into your dreams.
    • When I look back on the past the best time of my life was my years as a teacher.
    • "Where all think alike, no one thinks very much." Walter Lippmann
    • We have been working in the sector as Marche Event Menagement for almost four and a half years.
    • With my passion for teaching I have many students I still see who have achieved a great deal.
    • I learned tolerance inside the four walls of boarding school.
    • I love Anatolia. I love to travel. I seek out the hidden beauty of every city I visit.
    • It takes sacrifice and courage to follow your dreams.
    • I never wanted to go abroad. I prefer to work in my own country.
    • Organization is like herding foxes so that they all touch each other’s tails.
    • There are a great many similarities between organization and architecture.
    • I went to a primary school in Izmir paradoxically named after the 12 September military coup.
    • Öğretmenlik yıllarımda tek derdim, 15-17 yaş grubu çocuklara bildiğim ne varsa öğretmek oldu.
    • Dünya görüşüm olan “insan sevmek” kavramının temellerini lisede attım.
    • “Öteki” kavramını yaşamımdan çıkarmam lise yıllarıma dayanır.
    • "Gerçekten kül olmadan kendinizi nasıl yenileyebilirsiniz?"
      Friedrich Nietzsche
    • "Ölü Ozanlar Derneği" tadında bir öğretmenlik sürecim oldu.
    • FYM Creative Group'da 6 yıl genel koordinatörlük yaptım.
    • Renkler her dilde konuşur.
    • İstanbul aşığıyım.
    • "Sanatçıya iki göz yetmez." Alphonse de Lamartine
    • 1991-1997 yılları arasında birçok oyunda oyuncu ve tasarımcı olarak yer aldım.
    • "Her şey okul okuyarak olunur" ön yargısını Yapı Endüstri Merkezi'nde kırdım.
    • Her zaman en iyisi için çalıştım.
    Marche

    Marche Event

    In 2009 Murat A. Aydın founded the Marche company, providing service in organization, decor, entertainment, fairs, ceremonies and events. Marche Event Management has been operating in the sector for almost five years. Combining the love of humanity that is his chosen life’s view with the experience he gained in different periods of his life, his time in the theater, his talent for writing and for architecture, Aydın remains one of the most impressive names in the sector.

    Stage Designer and Director

    Wedding Planner

    Wedding Planner

    Konsept Tasarımcısı

    Concept Designer

    Combining art and theater, architecture and staging, design and dance, today Marche is one of the most important companies in event design and entertainment design as well.

    Art Director and Show Designer

    1997 İstanbul
    Korkmadan Bir Adım Attı

    HE TOOK THE CRUCIAL STEP...

    When Aydın came to Istanbul in 1997 he didn’t know he would love it so much. His first work experience, forty days as an architect on a construction site, made him realize that he loved studying architecture, not doing it. So he decided to go to graduate school. In 1997, while doing a Masters degree in Construction Management at Istanbul Technical University, he began tutoring privately. For a year he went all over Istanbul giving private lessons and got to know many different kinds of people.

    From 1998 to 2000 he worked in fair organization and information management at the Construction-Industry Center. It was during those years that he learned about organization as a profession. It was then too that he realized not everything is learned in school. In the next few years he signed his name to several works of fair design.

    HIS TEACHING YEARS...

    In 2001, wanting to be of service to society, he turned the economic troubles of the time into an advantage, becoming an English teacher at a lycee in the underprivileged Istanbul neighborhood of Gaziosmanpaşa, although the National Department of Education assigned none to the region. He tried to teach his students everything that he knew, and his interest in art and literature made him a much-loved teacher and friend to his students. He was forced to abandon his beloved profession in order to perform his military service in 2003.

    Murat Ali Aydın has this to say about his teaching years:

    “When I look back, it seems to me that those were the best years of my life. There are many students I still see who have achieved a great deal.” “For two years I had a teaching experience of the Dead Poets Society kind.” “All that mattered to me was to teach my teenage students everything I knew and believed in.”

    LETTERS FROM STUDENTS

    “I have seen many teachers who tried to be like you, teachers who tried to be a big brother, a big sister, a father. But none of them ever explained to me what a transvestite was, and none joked around with me like you did.”

    Berkant Akgün

    “I am very satisfied with you, my dear Teacher. I wish you had not left. While I was in school I never had another teacher who treated me as well as you did.”

    Yavuz Özbay
    Organizasyon Adına İlk Adım

    FIRST EXPERIENCE IN ORGANIZATION...

    He began his professional life in organization after completing his military service in 2002. For a year he was responsible, as Assistant to the Director General of the Turkish History Foundation, for running the Topkapi Palace Darphane-i Amire complex. He helped put on the exhibit, “The Development of Civil Society and Human Rights in Turkey,” and hosted many organizations and exhibits.

    FYM CREATIVE GROUP

    THE FYM CREATIVE GROUP

    A turning point in his career came in 2003 when he met Yavuz Özdel and began to work at the FYM Creative Grup, one of the most important organization companies in Turkey. He served as General Coordinator for 6 years. He worked in both administrative and creative capacities in many national and international organizations, notably the Antalya Golden Orange Film Festival.

    1973 Born
    in Izmir
    İzmir'de Bir Çocuk Doğdu

    A CHILD IS BORN IN IZMIR...

    Born in 1973 in Izmir, a city he calls “a place where everyone knows how to live together,” Murat Ali Aydın owes his ability to view life from various different perspectives to the city where he spent his childhood and early youth.

    Okulun İlk Yılları

    THE FIRST YEARS OF SCHOOL

    He started school at 12 Eylül Primary School, in izmir. Throughout his education nobody didn’t have to remind him that should study. He was a tidy and practical student. After gradution from İzmir İnönü High School’s secondary school department, in 1987 he took exam for science high school. Thus journey of Malatya which would open to different experiences was begun.

    HIGH SCHOOL, INTRODUCTION TO LIFE...

    He describes his years which spent in Aydın, Malatya Science High School “My world view is loving people which got established in those days”. He learnt the tolerance from the days which spent in boardingschool’s close walls with 250 people. He wrote off the concept of “other” in those days.

    Düşler mi, gerçekler mi?

    DREAMS OR REALITIES?...

    He’d always wanted to be an architect, but under pressure from those around him chose to study computer engineering. For that reason in 1990 he came to Ankara. But architecture would not leave him alone, and he realized he’d made a mistake, cancelled his enrollment, and took decisions that determined the course of his life. He went after his dreams. He prepared again for the university entrance exams and in 1991 earned a place in the Architecture Faculty at Middle East Technical University. All during his years of study there the conceptual distinctions of approach that he grasped in the projects he did opened new doors to him, and by the time he graduated he had become not an architect but a designer.

    UNIVERSITY WAS NOT JUST SCHOOL...

    ODTÜ, Aydın’ın organizasyon kariyeri boyunca elde ettiği başarıyı sağlayacak olan mimarlığın yanı sıra onu “tiyatro” ile de tanıştırdı. Önceliği her zaman tiyatrodan yana kullandı. 1991-1997 yılları arasında birçok oyunda oyuncu ve tasarımcı olarak görev aldı. Brecht, Shakespeare, Beckett bu yıllarda onun arkadaşları, kitapları ise yaşam kılavuzu oldu. O dönemde tiyatro eleştirmenlerinden aldığı olumlu yorumlar ve üstesinden geldiği pek çok rol sebebiyle hala “oyuncu” olarak da anılıyor.

    TROILUS AND CRESSIDA

    Actor, set designer, costume designer. 1996

    June 1996, Agon Tiyatro Dergisi – Inönü Bayramoğlu:

    “…Troilus and Cressida is a play that even many professional companies find hard to pull off, but the Middle East Technical University Players’ production, in terms of its dramaturgical analysis, the creative and masterly conception of space in its set design, the intellectual brilliance of its direction and the great performances of its skilled actors (especially Doğanay Çakıroğlu as Thersites, Abdullah Caboluz as Pandarus, Özgür Avcı as Hector and Murat Ali Aydın as Nestor), has added Troilus and Cressida to the list of their successes...”

    “…One of the most colorful characterizations is Murat Ali Aydın’s Nestor. With his wheelchair and catheter he puts forth an endearing, successful performance. The casting and characterization is generally successful. Above all, the amateur enthusiasm and energy of the actors carries off this difficult, two-and-a-half-hour play without a hitch...”